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eISSN: 2581-9615 || CODEN (USA): WJARAI || Impact Factor: 8.2 || ISSN Approved Journal

The extraterrestrial “Hypothesis of Homeric Theater”: Those from Olympus are still our Gods

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  • The extraterrestrial “Hypothesis of Homeric Theater”: Those from Olympus are still our Gods

Julio Cesar Acosta-Navarro 1, 2, 3 *

1 Unidade Clínica de Emergência, Instituto do Coração (InCor), Hospital das Clinicas HCFMUSP, Faculdade de Medicina, Universidade de São Paulo, SP, Brazil.

2 Latin American Academy of Scientific Ufology (LAASU), Brazil.

3 Hospital Municipal Professor Doutor Alípio Correa Netto – Ermelino Matarazzo, Brazil.

 

Publication history: 

Research Article

World Journal of Advanced Research and Reviews, 2026, 29(01), 305-330

Article DOI: 10.30574/wjarr.2026.29.1.0012

DOI url: https://doi.org/10.30574/wjarr.2026.29.1.0012

Received on 22 December 2025; revised on 04 January 2026; accepted on 06 January 2026\\

Over decades, various hypotheses have been proposed to explain the UFO/UAP phenomenon and alleged contacts with extraterrestrial intelligences (ETI): Zoo Hypothesis (non-interference), Laboratory Hypothesis (humanity as experimental subject), and Interdimensional Hypothesis (parallel dimensions). These frameworks offer partial explanations but fail to adequately account for observed behavioral complexity. This work develops the "Extraterrestrial Hypothesis of Homeric Theater," proposing that ETI have maintained continuous presence and selective interference in human affairs for millennia, operating according to behavioral patterns documented by Homer (8th century BCE). Through original hermeneutical analysis of Iliad and Odyssey, this study identifies recurrent elements compatible with contemporary UAP phenomenology: advanced propulsion ("flying sandals"), vehicles in "clouds/mists," extraordinary materials ("incorruptible gold"), environmental effects, camouflage capabilities, and non-human physiology ("divine blood"). Seven defining points characterize permanent ETI modus operandi: (1) human existence as observed epic-drama; (2) selective interference based on particular preferences; (3) factional divisions among entities; (4) predestination elements; (5) trans-temporal manifestations; (6) hierarchical stratification including hybrids; (7) direct physical intervention. Each point is substantiated through Homeric textual analysis, integration with author's peer-reviewed research (Final Contact 2016, Epimetheus 2023, Zeus Lightning 2023, Poseidon 2024), and paradigmatic cases. Comparative analysis demonstrates superior explanatory power versus classical hypotheses. Revolutionary implications include: reevaluation of Homer as documenter of real events; interdisciplinary integration; radical reinterpretation of human-divine relationship. Central proposition: "gods of Olympus" did not vanish but continue operating—possibly under different designations—maintaining unchanged behavioral patterns through three millennia.

Biology; UAP/UFO; Extraterrestrial Contact; Trans-Explanatory Hypothesis; Behavioral Patterns

https://journalwjarr.com/sites/default/files/fulltext_pdf/WJARR-2026-0012.pdf

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Julio Cesar Acosta-Navarro. The extraterrestrial “Hypothesis of Homeric Theater”: Those from Olympus are still our Gods. World Journal of Advanced Research and Reviews, 2026, 29(01), 305-330. Article DOI: https://doi.org/10.30574/wjarr.2026.29.1.0012.

Copyright © 2026 Author(s) retain the copyright of this article. This article is published under the terms of the Creative Commons Attribution Liscense 4.0

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